"Grey Mule" - Jesse Smith
I don't know if my retrospective longing for the Instagram of the past is revisionary or not. Was it ever a good platform and it just became worse, unsuitable for my needs, and actively hid the artists I had volunteered to see? I think so. Was it ever good for my mental health, even at it's peak? Probably not, but I do have to say: my early experiences of participating in underground cultures, zine trading, and making photography and art are inseparable from participating with the platform. Bleg...
don't know if my retrospective longing for the Instagram of the past is revisionary or not. Was it ever a good platform and it just became worse, unsuitable for my needs, and actively hid the artists I had volunteered to see? I think so. Was it ever good for my mental health, even at it's peak? Probably not, but I do have to say: my early experiences of participating in underground cultures, zine trading, and making photography and art are inseparable from participating with the platform. Blegh!
This is something I can rant about for too long, and it's here as a preamble only because this was a product I discovered via Instagram - specifically Shea Hardacre's "No Coast / No Hope" cassette + zine imprint. I was a big fan of Shea's tiki inspired noise project, and of course a lot of the midwest noise + industrial artists on his label, and got this miniature square publication with the inaugural run of print items he put out.
A short + sweet publication, I love it because it's small and square and really quite elegant for a publication of graphically horror / dbeat / crusty styled art. Like stills from Begotten run through a Xerox a few times, or grave rubbings from a Lovecraft cemetery. This was one of the first "white on black" books I'd ever seen, it's a presentation I really love - I tried to ape it with a zine of contact sheets a few years on and it looked terrible, but it works so well for this style. I was crazy for this type of imagery at the time, the first CD and tape I did for my own little noise project was v. much captured by this aesthetic. Every page here could be an LP or CD cover. I remember writing to Jesse to express admiration for this zine and we later traded one of my photobooks for one of his screenprinted posters of a grotesque, twin headed abomination - a cool little item I'll hang up for next halloween.
The algorithm def buried his work after the "pivot to video" and I can't find his old account, I vaguely recall thinking Jesse was a tattoo artist in Pittsburgh? But I can't say for a fact! I'm grateful to own this slice of his work, it has a mystery past the noise boy aesthetic.
Peruse the whole of it here ! -> https://www.are.na/block/45650627