This morning I am sitting in Bonnie, our …
This morning I am sitting in Bonnie, our caravan, with a cup of coffee and Dorothy Wordsworth’s The Grasmere and Alfoxden Journals open in front of me. We are in a field near Ashbourne on our first trip away in her. Dorothy is writing about walks, weather, meals, visitors, William, and the small movements of...
his morning I am sitting in Bonnie, our caravan, with a cup of coffee and Dorothy Wordsworth’s The Grasmere and Alfoxden Journals open in front of me. We are in a field near Ashbourne on our first trip away in her. Dorothy is writing about walks, weather, meals, visitors, William, and the small movements of days lived more than two hundred years ago.
A lot of it is ordinary stuff. That is partly what caught me.
Why is Dorothy’s ordinary life more interesting than mine? Her journals entered the world within the aura of her famous brother. If Oprah held up my journal and told people it was worth reading, the words on the page would not change, but the quality of attention brought to them would. Fame has a way of deciding whose breakfast, walk, quarrel, and passing observation deserve a closer look.
But William Wordsworth is not the main reason I am still reading. The journal lets me borrow Dorothy’s eyes for a while. I am interested in what she notices and how she notices it, in the things she records without knowing what a reader in another century will make of them. The distance between her world and mine makes the ordinary strange again.
Then the editor’s note disturbed the sense of looking directly through those eyes. The first publisher omitted passages and altered some of her words. What I am reading has passed from the lived day, through Dorothy’s perception and handwriting, through preservation and editorial judgement, before reaching this caravan table. Even the original manuscript would not be the day itself. It would be Dorothy’s selection from the day: what she saw, remembered, cared about, misunderstood, or decided not to say.
I am also reading her journal as someone who keeps a journal. Mine tends to move quickly towards interpretation. I notice something and soon I am following it into another book, an old memory, a pattern, a question about how reality gets made. Dorothy is reminding me to remain with the visible world for another beat.
So I want to try something simple: for every stretch of reflection, preserve one thing that was simply there. The coffee beside the book. The light through Bonnie’s window. Ruth nearby. The field beyond the glass on our first morning away. Not because every detail needs to become a symbol, but because this is the world in which the thought occurred.
Perhaps that is one thing we learn by reading another person’s journal. We learn what their attention made visible, and begin to notice what our own attention has been leaving out.
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